Don’t Look Away! Season 3 of A Series of Unfortunate Events is here and it’s bigger and better than ever.

Netflix’s A Series of Unfortunate Events, continues with its top quality content, wrapping up the beloved book series in a way even Count Olaf would be proud of.

Times are changing for the Baudelaire children. Sunny is becoming even more independent, needing her siblings less and less, Violet and Klaus clash heads more often, growing up and seeing the world from their own perspectives. In season 3, romance continues to bloom. Innocent moments remind audiences that Violet and Klaus are still young, despite being thrust into a dangerous adult world.

We got to know Olaf’s band of misfits a bit better too, granting the audience information about the characters we otherwise hadn’t known. This of course, made the ‘baddies’ more relatable and added dimension to supporting characters.

I tell you what though, this season had moments that pulled my heartstrings and reminded me why I love this show. In one scene, Violet is worried for Sunny’s escape but she ties her hair up, just like her big sister, and says she’ll invent something. Another scene is when a new rendition of the song ‘That’s Not How the Story Goes’ featuring Violet much more heavily plays over Lemony Snicket’s pin board, reminding audiences everything that’s happened over the course of 3 seasons. This certainly made me want to pull out the tissues.

Watching the above clip repeatedly on YouTube after finishing the show, I noticed a comment talk about the theme of the entire series. That being, the Baudelaire children learn that there aren’t just bad people and good people in the world, everyone is both. Even Count Olaf. I couldn’t agree more with this comment. This revelation brought the arc of the series to a satisfying end, especially for the main characters.

If you haven’t managed to view this brilliant series than what are you waiting for? A Netflix subscription? A pop up in your recommendations? A Series of Unfortunate Events ticks all the boxes of a well written, well designed and well acted show. I only wish there were more books in the series.

The post A Series of Unfortunate Events Season 03 – Review appeared first on Shane the Gamer.

The tale of the three Baudelaire orphans is a familiar story to hear. After Violet, Klaus and Sunny’s parents perished in a fire, they are left under the care of Count Olaf. The only problem is, he’s out for their fortune and will do anything to get his hands on it (murder very much included).

Although I had seen the books in the library growing up, I never managed to get my hands on them. Because of this, Lemony Snicket’s A Series of Unfortunate Events is fairly fresh to my eyes a part from a viewing of the 2004 film many years ago. Brushing the film aside, A Series of Unfortunate Events is ultimately a book series and a pretty famous one at that. As mentioned earlier, the story follows Violet, a 14 year old inventor, Klaus, a 12 year old researcher, and Sunny, the inquisitive baby that loves to bite things.

I was incredibly excited to hear that Netflix had created a television series based on the books. Television is a different media form to convey storytelling in as opposed to film. It allows a better pace, time for character development and more content to be shown if based on a book for example. From the get go, I knew I was in for quality television. As the opening credits chimed in and I recognized Neil Patrick Harris’ voice, I couldn’t wait to get started.

In spite of the story being shaped around the unfortunate events for the Baudelaire orphans (they just can’t seem to catch a break can they?), the overall mise-en-scene and cinematography crafted a beautiful set that was aesthetically pleasing to the eye. The wardrobe department deserves praise too. One of my favourite costume pieces were the three raincoats Violet, Klaus and Sunny obtained when they had to reach Curdled Cave. The bright red, blue and yellow coats were striking in a way that both contrasted them in the setting but also portrayed the spark of the children’s innocence, still glowing bright even though their circumstances were glum.

The three kids portraying Violet, Klaus and Sunny were brilliant and the chemistry was there from the get go. Of course, you can’t get Violet, Klaus and Sunny without Count Olaf though. Neil Patrick Harris was made to play the part of Count Olaf. The way he embodied the essence of Count Olaf and his many counterparts was admirable of a great actor. Other roles that need to be commended are Patrick Warburton as Lemony Snicket and K. Todd Freeman as Mr. Poe. Mr. Poe was an oddly hilarious character that frustratingly couldn’t see what the Baudelaire’s could often see, that ‘so and so’ was really Count Olaf. Lemony Snicket on the other hand, narrated the more serious side of the story. After reading an article, I discovered that Lemony Snicket did not feature nearly as much in the books as he did in the television series. I’m very pleased to see that they did decide to feature him more because it aided greatly in the narrative structure. His presence throughout the show was never jolting but rather a comfort as he helped shed light on the mystery of fire and the Baudelaire parents.

If you think you can bear the unfortunate events of the Baudelaire children, then get that Netflix subscription and start the series. Before you know it, you’ll be singing along to the opening credits or perhaps feeling melancholic tendencies. But don’t let that put you off.

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