DJI, the world’s leader in civilian drones and creative camera technology, building on its heritage of advanced image stabilization, takes a bold new direction with the Osmo Action camera.

Utilizing DJI’s unparalleled experience with capturing smooth and stable videos in the most demanding environments, Osmo Action is as rugged as it is sophisticated, opening worlds of creative potential for professionals and adventure seekers alike.

“DJI has always pushed the limits of technology, and the content creators who love our products made clear they wanted us to push the limits of their creative potential too. Osmo Action is our cutting-edge answer to what the creative community demands. Exceptional image quality and stabilization in a unique and durable new form factor, with dual colour screens and seamless software integration. For all types of creators who push their gear to the limits, Osmo Action sets the new standard,” said Roger Luo, DJI President. “Whether you are capturing aerial content with Mavic 2, incredibly smooth content with Osmo Pocket, or heart-racing footage with Osmo Action, DJI offers a full suite of products for your creative needs.”

A compact yet durable design makes Osmo Action the ideal camera for life’s adventures. Constructed to handle extreme conditions with ease, Osmo Action is dustproof, shockproof, waterproof and has the ability to operate in sub-freezing temperatures. Osmo Action utilizes colour screens on both the front and back, a unique design feature that allows for more convenient scene composition while on the move. The 2.25-inch rear touchscreen employs a water and fingerprint repelling coating, and the 1.4-inch front screen makes vlogging and selfies easier than ever before. With a brightness of 750-nits, Osmo Action can be used in harsh lighting conditions including direct sunlight.

Osmo Action’s interactive user interface, Action OS, combines a streamlined and functional physical design with flexible operation. Power on, initiate recording, and rotate through the video and photo capture modes in the blink of an eye with three dedicated buttons. Never miss a moment with the help of SnapShot, which allows Osmo Action to turn on and begin recording in under two seconds by pressing the shutter button once.

A 1/2.3-inch sensor records 12-megapixel photos and 4K video up to 60fps at 100Mbps in stunning detail, assuring high-quality footage. A three-glass aspherical lens design records low-distortion content and aids in reducing warping effects for improved scenes. The lens cap is finished with two layers of anti-fingerprint coating to keep the shot clean during use, as well as an anti-reflective coating to reduce the unwanted effects of lens glare, giving users more flexibility to shoot in bright conditions.

Incorporating over a decade of experience creating three-axis mechanical gimbals, Osmo Action is the first DJI handheld camera to include RockSteady, DJI’s Electronic Image Stabilization (EIS) technology. High-performance stabilization algorithms work in conjunction with EIS to record every movement in smooth, stable, high-quality video, even when recording 4K/60fps. Additionally, Osmo Action is capable of High Dynamic Range (HDR) video in 4K/30fps, delivering an additional three stops of dynamic range to the scene, natural transitions between light and dark areas, and rich details that are often lost in complex lighting conditions. Osmo Action has a removable battery with a run time of 93 minutes recording at 4K/30fps with RockSteady enabled, and 135 minutes recording at 1080p/30fps without RockSteady. Dual microphones let users take advantage of Osmo Action’s Voice Control, and a speaker ensures outstanding playback quality.

Using the recently released DJI Mimo mobile app, connect Osmo Action to your mobile device with Wi-Fi or Bluetooth for added functionality, including a live feed of the camera, multiple story templates, in-app quick editing, and more. An ecosystem of accessories helps unleash all the possibilities of Osmo Action.

DJI Osmo Action is now available at DJI’s Official Store and will be available at DJI authorized dealers in June 2019.

The post DJI Osmo Action Camera Captures Every Adventure appeared first on Shane the Gamer.

FUJIFILM Corporation has unveiled yet another mirrorless camera and lens in a global announcement proving the 85-year veteran remains at the cutting edge of photographic technology.

Hot on the heels of the company’s highly successful X-T3 launch, the brand new, highly anticipated FUJIFILM X-T30 mirrorless digital camera will be available for sale on New Zealand shores from March 20th 2019.

Pitched as a powerful companion for any photographer – beginners through to the enthusiast – it’s the latest addition to the X Series range of cameras, renowned for outstanding image quality, proprietary colour reproduction technology and intuitive dial-based handling.

“We’re calling this powerful little unit the ‘all-rounder’. It will appeal to a broad range of users from enthusiast photographers to first time beginners,” says Craig Robertson, professional photographer and FUJIFILM’s NZ X Series specialist.

“Photographers won’t outgrow the X-T30 as they enhance their skills. It will always deliver premium quality pictures and video captured with ease, regardless of experience.”

The X-T30 is equipped with a host of new functions offering outstanding performance, utilising the 4th Generation image sensor and processor with 26.1 megapixel resolution and fast high-performance AF.  In addition, phase detection pixels are now across the entire frame (100%).

Other advanced features include a joystick for shifting focus points easily, a new intuitive touch-screen panel with improved response, and an improved body design that offers better holding stability to ensure comfortable shooting even with larger lenses.

“Fujifilm cameras are known the world over for being lighter and more compact without compromising quality. The X-T30 is no different and we’re proud to say gone are the days of lugging heavy DSLR gear around,” says Craig.

An improved algorithm delivers even more advanced AF-tracking performance. This includes enhanced accuracy in face / eye detection and the introduction of a Face Select function to provide priority auto-focus on a selected subject.

The evolution of AF performance is available with both still photos and during video filming. Improved exposure stability during face / eye AF and face recognition in the AF-C (continuous AF) mode adds to ease of use. Video performance itself has also been enhanced, offering high-resolution audio recording and smooth 4K/30P video recording.

Coupled with the launch of the X-T30, FUJIFILM will add to its X Series line-up of interchangeable lenses with the release of the new FUJINON XF16mmF2.8 R WRto compliment the other compact prime lenses. Also available in New Zealand from March 20^th 2019, this lens features a focal length equivalent to 24mm (in the 35mm format) and has a maximum aperture of F2.8.

“The XF16mmF2.8 lens is small and lightweight. Its inner focusing system is fast and quiet and is perfect for travel and landscape photographers,” says Craig.

“It’s also weather and dust resistant, and operates in temperatures as low as -10°C making it versatile for a range of conditions.”

The FUJINON XF16mmF2.8 R WR lens in black (and silver from April) has an indicative price of $699 NZD. The FUJIFILM X-T30 has an indicative price of $1,649 (body only) and will be available in black, silver and charcoal silver. Both can be purchased from authorised FUJIFILM dealers nationwide from March 20th 2019.

The post FUJIFILM launches high performing all-rounders appeared first on Shane the Gamer.

Panasonic is proud to introduce the full specifications of its long-awaited first full-frame Digital Single Lens Mirrorless cameras, the LUMIX S1R and S1, with a 35mm full-frame CMOS sensor.

The LUMIX S Series aims for unprecedented image quality with high resolution, rich gradation and superior color reproduction. A high-speed, high-precision AF system based on advanced control technology over the lens, the sensor, and the new Venus Engine enable the user to capture the target in sharp focus without fail. It also boasts industry-leading video recording performance (4K 60p / 50p), intuitive control, a rugged design for heavy field use, durability, and expandability.

The new cameras are based on the L-Mount standard, which boasts a well-balanced, large inner diameter and compact dimensions for a flange focus to realize optimum size and performance as a mirrorless camera system.

The LUMIX S1R has 47.3-megapixel full-frame CMOS sensor (36mm x 24mm), which gives it the industry’s highest level of resolution in the full-frame mirrorless cameras, to pursue the ultimate power of expression. In addition to the precise reproduction capability in detail, this sensor achieves a high S/N ratio by taking advantage of its high light-condensing efficiency despite the large number of pixels.

Panasonic LUMIX S1R

The LUMIX S1 comes with a 24.2-megapixel full-frame CMOS sensor (35.6mm x 23.8mm) that provides a wide dynamic range and excellent performance at high sensitivity in addition to a natural yet sharp image description. The LUMIX S1 supports professional use in videography by taking advantage of the stunning expression performance that a full-frame camera can offer. It records smooth 4K 60p / 50p video and enables full-pixel readout of signals in 4K 30p/25p to save truly beautiful footage. Furthermore, the LUMIX S1 will comply with 4:2:2 10-bit 4K 30p/25p internal video recording and 4K 60p/50p HDMI output as well as V-Log, with a software upgrade key (to be sold separately) following soon in 2019.

Panasonic New Zealand, Product Manager, Andrew Reid, says: “At Panasonic we’re committed to pioneering new innovations under the vision of “Changing Photography”, which is why we’re excited to be launching the new full-frame mirrorless LUMIX S1R and S1 cameras in New Zealand.”

The LUMIX S1R incorporates a new 47.3-megapixel CMOS sensor without LPF (Low Pass Filter) to realize high resolution and descriptive performance. This sensor adopts an aspherical lens for the on-chip micro lens to enhance light condensation. Together with the optimum design to concentrate more incoming light onto the photodiode, it achieves both high resolution and highly efficient light condensation performance.

The LUMIX S1 employs a 24.2-megapixel CMOS sensor. The new Venus Engine, which is exclusively tuned for the full-frame camera, and its Multipixel Luminance Generation and Intelligent Detail Processing realize natural, high-resolution expression while suppressing color moiré. Three-dimensional Color Control improves the color reproduction of both bright and shadow areas. This results in natural, true-to-life images from low to high sensitivity. Taking advantage of sufficient light condensation, the LUMIX S1 boasts a wide dynamic range and reproduces sharp images with exceptional clarity. Noise is minimized even when shot at maximum ISO 51200 high sensitivity. It is an ideal camera to use especially in low-light situations.

An AR coating applied on the sensor of both LUMIX S1R / S1 minimizes ghost and flare even in backlighting. Combination with the high-quality LUMIX S Series lenses based on the L-Mount further enhances the potential of the camera.

Plus, the LUMIX S1R / S1 integrates the Body I.S. (Image Stabilizer) for powerful handshake correction. Panasonic developed an algorithm that precisely calculates shake information acquired not only from a gyrosensor, but also from the image sensor and accelerometer sensor. This enables more accurate shake detection and compensation, making it possible to use a 5.5-stop slower shutter speed.

Taking full advantage of its high-resolution sensor, the LUMIX S1R / S1 provides a High-Resolution mode that faithfully reproduces precise details to be saved as beautiful, highly realistic RAW images. Eight consecutive images are automatically shot while shifting the sensor using the Body I.S. (Image Stabilizer) mechanism and synthesized into a 187-megapixel equivalent (16,736 x 11,168-pixel) image for LUMIX S1R and 96-megapixel equivalent (12,000 x 8,000-pixel) image for LUMIX S1 by the new Venus Engine, which boasts high-speed signal processing. This mode is suitable for taking natural landscapes or fine arts with delicate details. This magnificently high resolution photo is ideal for landscape photography of stationary subjects using a tripod. However, it can also be used in situations where moving subjects are included in the scene, by switching the sub mode.

The high-precision shutter unit offers the highest shutter speed at a maximum 1/8000 second to capture spur-of-the-moment, fast moving subjects and to use a high-speed lens with a fully open aperture even outdoors for impressive defocusing. The external flash can be synchronized with the industry’s fastest shutter speed of a maximum 1/320 second.

The LUMIX S1R / S1 also boasts high speed burst shooting at 9 fps (AFS) or 6 fps (AFC). With its high subject tracking performance, the LUMIX S1R / S1 never loses the target subject. As a camera that excels in low-light shooting, the LUMIX S1R / S1 boasts -6EV luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor.

Panasonic LUMIX S1

For more continuous burst shooting, 6K PHOTO makes it possible to capture unmissable moments at 30 fps by extracting the frame with the best timing out of a 6K burst file (in 4:3 or 3:2 aspect ratio) to save as an approximate 18-megapixel equivalent high-resolution photo. Users can choose the most suitable burst shooting mode in addition to the regular consecutive shooting mode in full resolution depending on the situation.

The LVF (Live View Finder) is the key factor for completing the ultra-high-speed response of the camera. The LUMIX S1R / S1 has the largest level of Real View Finder which boasts the world’s highest 5,760k-dot resolution. The 0.78x magnification ratio can be switched to 0.7x or 0.74x according to the shooting situation. Adoption of a high-speed, high-precision OLED (Organic Light-Emitting Diode) for the LVF achieves smooth display at 60 fps/120 fps (switchable) and high-speed response with minimum time lag of less than 0.005 sec as well as 10,000:1 high contrast for exceptional visibility. With minimum distortion and high optical performance, this Real View Finder provides a natural view as seen with the naked eye. It is always sharp and clear from the center all the way to the corners.

To make the camera just like a part of the photographer’s body, the LUMIX S1R / S1 provides a firm grip, making it easy to hold for long periods. The control buttons and dials are located based on an ergonomic study to enable the user to concentrate on shooting. The adoption of an 8-directional joystick and refined UI (User Interface) also supports quick operation during shooting. In addition, illuminated buttons can be of help in low-light situations. An operation lock lever prevents unintentional operation, and the user can choose which operation to lock.

To be tough enough to withstand heavy field use, the main structure is composed of a magnesium alloy full die-cast front/rear frame. Robust construction and a sealing for every joint, dial, and button make the LUMIX S1R / S1 not only splash resistant and dust resistant but also freeze resistant down to -10 degrees Centigrade. The shutter unit is also durable for approximately 400,000 cycles. The LUMIX S1R / S1 is equipped with a double Memory Card slot compatible with SD (UHS-II) or XQD Memory Cards for high-speed, high-capacity continuous data recording.

Both LUMIX S1R and S1 offer outstanding video recording performance,the LUMIX S1R is a camera designed and developed to boast exceptional performance in photography, yet is capable of 4K 60p/50p video recording. The LUMIX S1 provides professional videography with 4K 60p/50p recording. It realizes a crop factor of 1.0x in 4K 30p/25p/24p, which means that the user can record video in the original viewing angle of the lens. There is no recording time limit for both 4K 30p/25p/24p and Full-HD video.

As a camera from Panasonic that has been overstepping the limit of video performance in digital cameras, a host of functions are available on the LUMIX S1R/S1. The High Speed Video lets users record slow motion video in 4K (maximum 60 fps/ 50 fps) and FHD (maximum 180 fps /150 fps). For the terminal, an HDMI Type A is provided. Plus, a cable lock holder for the HDMI cable is included in the LUMIX S1R / S1 to prevent unplugging trouble on location. LINE input is also supported by a 3.5-mm microphone jack. This makes it possible to input sounds from an external audio device, for more efficient video production.

Other notable features of both LUMIX S1R and S1 include:

* Variable aspect ratios with new 65:24 and 2:1
* Photo Style featuring a new Flat mode
* I.S. Status Scope
* Highlight Weighted Light Metering Mode
* New AWBw Auto White Balance mode
* Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac) / 2.4GHz (IEEE802.11b/g/n)
* Lumix Tether
* Lumix Sync

Panasonic’s advanced Contrast AF system with DFD technology has evolved through the development of numerous mirrorless cameras to make the AF system of the LUMIX S1R / S1 even more practical. It achieves not only the industry’s fastest level of focusing speed but also a tracking performance that is made possible by the adoption of Advanced AI Technology that accurately recognizes moving target subjects.

A variety of new accessories are available for the LUMIX S1R / S1 including Remote Shutter (DMW-RS2),　Eyecup (DMW-EC6), Battery Grip (DMW-BGS1) and Battery Charger (DMW-BTC14). The Battery Charger also complies with USB PD and enables quick power charging in approximately 2 hours. The camera can be used while charging via this adaptor. The conventional External Flash (DMW-FL580L / FL360L / FL200L) can also be mounted on the LUMIX S Series cameras.

The post Mirrorless Cameras LUMIX S1R & LUMIX S1 appeared first on Shane the Gamer.

Taking attention to detail and precision to a new level, FUJIFILM releases a first in its telephoto lens technology with this new addition to its highly recognised GF lens range.

The new FUJINON GF100-200mmF5.6 is the first GF telephoto lens to offer a 35mm focal range equivalent of 79-158mm. Ideal for landscape and nature photographers, the lens is capable of capturing the atmosphere of any scene through a combination of high-resolution performance and rich bokeh effect.

FUJIFILM NZ X Series specialist Craig Robertson says the GF range is already highly praised by photographic professionals for its ability to capture high levels of detail and three-dimensional feel within a compact body.

“This is a world-class lens that will delight serious photographers. The GF100-200mmF5.6 offers the freedom to roam, ditching the tripod thanks to the powerful image stabilising technology.

“This lens is also equipped with weather resistant construction, ensuring it endures the toughest of conditions without sacrificing image quality,” says Robertson.

FUJIFILM’s GF lens range owes its quality to the finest optical design and product technologies resulting in high-resolution and rich tonal reproduction.

The latest addition joins eight other lenses in the GF range, which also includes the GFX 50S and the recently released GFX 50R camera bodies. All lenses, including the GF100-200mmF5.6 preserve FUJIFILM’s key notion of producing compact, lightweight bodies without compromising the final product.

The FUJINON GF100-200mmF5.6 has an indicative price of $3,749 NZD and will be available to purchase in New Zealand on February the 14th, 2019 from specialist photographic dealers nationwide.

The post Fujifilm announce a first in telephoto zoom technology appeared first on Shane the Gamer.

Sony announced has announced to us an exciting new addition to its E-mount mirrorless camera lineup – the α6400 (model ILCE-6400).

The α6400 brings many of Sony’s most advanced technologies from their acclaimed full-frame lineup to a compact, lightweight APS-C camera.  The speedy new camera boasts the world’s fastesti autofocus (AF) acquisition of 0.02 seconds, while also introducing the new advanced “Real-time Eye AF” and ”Real-time Tracking” capabilities.  Also included are high-speed shooting at up to 11 fpsiv with AF/AE tracking, a new-generation BIONZ X image processing engine that produces excellent image quality, 4Kvi video recording, a fully 180-degree tiltable LCD touch screen and much more, making it the ultimate tool for all types of creators ranging from professionals to everyday vloggers.

“The α6400 represents another important step in the growth of Sony’s overall interchangeable lens camera lineup,” said Neal Manowitz, vice president of Imaging Solutions at Sony Electronics.  “By bringing so many of our latest and most advanced technologies from full-frame cameras to a brand new APS-C model, we are giving today’s creators more options than ever to realise their vision.”

The impressive autofocus system on the new α6400 inherits many technologies from Sony’s newest line-up of full-frame cameras including the α9, α7R III and α7 III models.  The new camera features 425 phase-detection AF points and 425 contrast-detection AF points that are placed densely over the entire image area, covering approximately 84% of the image area.  This high-speed, high-performance tracking AF system is paired with a new-generation BIONZ X image processing engine that together allow the camera to acquire focus in as little as 0.02 seconds and maintain subject lock extremely effectively, ensuring even the fastest moving subjects can be tracked and captured with ease.

The α6400 introduces advanced “Real-time Eye AF,” the latest version of Sony’s acclaimed Eye AF technology.  This exciting new capability employs artificial intelligence based object recognition to detect and process eye data in real time, resulting in improved accuracy, speed and tracking performance of Eye AF. In all autofocus modes, the camera now automatically detects the eyes of the subject and activates Eye AF with a half press of the shutter button, and when in AF-C or AF-A mode, the preferred eye (left or right) of your subject can be selected as the focus point.  Choices include Auto / Right Eye / Left Eye, and a Switch Right / Left Eye function is able to be assigned to a custom function as well.  This exciting new technology completely frees the photographer to focus solely on composition with full trust that focus will be tack sharp on the subject’s eye.  Eye AF support for animals will be added in summer 2019 via a system software update, ideal for wildlife photographers.

Also debuting on the α6400 is Sony’s newly developed “Real-time Tracking.”  This mode utilises Sony’s latest algorithm including artificial intelligence (AI) based object recognition and processes color, subject distance (depth), pattern (brightness) as spatial information to ensure that all subjects can be captured with excellent accuracy.  Additionally, when photographing or videographing humans or animals, face and eye position information is recognized by AI and the subject’s eye is monitored in real time with extremely high tracking precision.  This can be activated by a simple half press of the shutter button[viii], or can be assigned to a custom function as well.

In terms of overall shooting speeds, the new camera can shoot at up to 11 fps with full AF/AE tracking while utilizing the mechanical shutter, and up to 8 fpsv with full AF/AE tracking while silent shooting.  It can shoot at each of these speeds for up to 116 frames JPEG Standard / 46 frames RAW compressed, greatly increasing the chances of capturing the perfect moment.

Sony’s new α6400 is equipped with a 24.2 MP APS-C sized image sensor with that is paired with an upgraded BIONZ X processor to deliver incredible advancements in image quality and colour reproduction in all types of shooting conditions. StandardISO ranges up to ISO 32000 for both still and movie, and is expandable up to ISO 102400 for still images, with excellent noise reduction at medium and high sensitivities.

The camera also inherits many of the image processing algorithms from Sony’s newest full-frame cameras, greatly suppressing noise while preserving resolution and improving texture depiction.

The versatile α6400 is an exceptional video camera, offering  internal 4K (QFHD: 3840 x 2160) movie recording with full pixel readout and no pixel binning to collect about 2.4x the amount of data required for 4K movies, and then oversamples it to produce high quality 4K footage with exceptional detail and depth.  Focusing during movie shooting is fast and stable thanks to upgraded Fast Hybrid AF technology, which keeps the subject in constant smooth focus no matter the scene, and even if an object crosses in front of the camera.  This advanced AF plus touch focus functionality make it an ideal camera choice for many vloggers and video creators that are regularly creating and uploading content online.

For time-lapse movie creation, the new camera features built-in interval recording that can be set anywhere between 1 and 60 seconds, with a total number of shots from 1 to 9999.  AE tracking sensitivity can be adjusted to “High”, “Mid” or “Low” during interval shooting, allowing for reduced changes in exposure over the shooting interval.

Additionally, for the first time in Sony APS-C mirrorless camera, the new model includes an HLG (Hybrid Log-Gamma) picture profile, which supports an Instant HDR workflow, allowing HDR (HLG) compatible TV’s to playback beautiful, true-to-life 4K HDR[x] imagery.  Further, both S-Log2 and S-Log3 are available for increased color grading flexibility, as well as Zebra functionality, Gamma Display assist and proxy recording.  The camera can also record Full HD at 120 fps at up to 100 Mbps, allowing footage to be reviewed and eventually edited into 4x or 5x slow-motion video files in Full HD resolution with AF tracking.

The new camera is designed to offer a high level of functionality and customisation to maximise shooting freedom.  New on the α6400 is a fully 180-degree tiltable, 3.0-type LCD flip screen with 921k-dots of resolution that allows for simple and effective framing of selfie-style shooting for both still and video capture.  Utilising this capability, vloggers will be able to check and monitor composition throughout their entire creative process.  The LCD screen is also equipped with touch functionality, with options for Touch Pad, Touch Focus, Touch Shutter and new Touch Tracking which quickly activates “Real-time Tracking” through the touch screen.

The camera features a high quality XGA OLED Tru-finder viewfinder, extensive customisation with 89 functions that are assignable to 8 custom keys, the new My Dial and My Menu functionality, enhanced overall menu usability, a help screen for menus, star rating for images, and many other features that allow for a seamless shooting experience.  It is also built with a tough magnesium alloy design, is dust and moisture resistant and has an extremely durable shutter that is rated for approximately 200,000 cycles.  It also is capable of seamlessly transferring files to a smartphone or tablet when connected to the brand new Imaging Edge Mobile application.

 The α6400 will be available in New Zealand from February 2019 with pricing still to be confirmed.

The post Sony announces its next-generation α6400 appeared first on Shane the Gamer.

Panasonic has developed two models of its first Digital Single Lens Mirrorless camera with a 35 mm full-frame image sensor, the LUMIX S1R and the S1. The models are equipped with the world’s first 4K 60p / 50p video recording function and Dual I.S. image stabilisation system.

Andrew Reid, Product Manager at Panasonic NZ, says, “We’re really looking forward to introducing the new LUMIX cameras to Kiwis – they are a real game-changer. With the rise in social media and content generation, more people are enjoying a hybrid of photos and videos, widening the range of expression in the production of content, which is where the LUMIX S1R and S1 comes in.”

Panasonic is bringing the new cameras to market as part of the LUMIX S series, striving to provide “specialised value” to customers desiring higher expressiveness. The cameras have the user-friendliness and robustness essential as tools for photography or videography by professionals, while also incorporating an entire array of Panasonic technology refined over a century in the consumer electronics business and 10 years developing Digital Single Lens Mirrorless cameras: digital technology like image or signal processing, plus optical and heat dispersion technology and more. The combination of these will provide customers with new outstanding value for photography and videography.

Panasonic has also announced they will also expand its lineup of LUMIX S series compatible lenses, developing more than 10 by 2020, including a 50 mm / F1.4 fixed-focus lens, 24-105 mm standard zoom lens, and 70-200 mm telephoto zoom lens.

For the LUMIX G series of Micro Four Thirds Digital Single Lens Mirrorless cameras, Panasonic has started developing a LEICA DG VARIO-SUMMILUX 10-25 mm F1.7 lens that will achieve the world’s first zoom with maximum aperture of F1.7 for the entire range. On top of this, the support services for professional photographers, which started in Japan in April last year, will be available in Europe and the United States this fiscal year.

The LUMIX GH5, G9, and GH5S high-end Digital Single Lens Mirrorless cameras that Panasonic has steadily released since 2017 have already gained a solid reputation among professionals and high-level amateurs across the world for the quality of their pictures and ability to capture the vitality and beauty of life.

This success owes to Panasonic’s world-first support for 4K 60p / 50p video recording, and the world’s fastest autofocus function using the company’s proprietary DFD (Depth From Defocus) technology. Panasonic will continue to provide new value to customers through the unique features of the compact yet high-definition LUMIX G series, while also reaching the professional market through the introduction of the full-frame LUMIX S series and the greater reach of the company’s support system. Through these measures, Panasonic will help to create a new culture of photography and videography.

Prototypes of the new cameras and lenses introduced above will be exhibited at Photokina 2018 and will be available early in 2019.

The post Panasonic’s First Full-frame Mirrorless Camera appeared first on Shane the Gamer.

Sony, the leader in full-frame mirrorless cameras and lenses, is increasing its flagship lens line-up to 30, with the introduction of the highly anticipated 24mm F1.4 Prime G Master.

Expertly engineered to deliver best in class performance across all aperture settings, the new FE 24mm F1.4 GM (model SEL24F14GM) utilises Sony’s specialist advanced optical technologies to satisfy the needs of the most demanding photographers. It features a compact and lightweight design with a filter diameter of φ67mm and measures just 75.4mm x 92.4mm, weighing a mere 445g. Meeting the strict standards for G Master status, the FE 24mm F1.4 GM combines the high resolution and beautiful bokeh that are the signature of the G Master series.

Head of Digital Imaging, Sony ANZ, Jun Yoon said, “As the number one full-frame mirrorless range in Australia, Sony is thrilled to be adding the 24mm F1.4 Prime G Master lens to our flagship line-up, which now totals an impressive 30 native lenses and 7 camera bodies. The Alpha full-frame mirrorless system offers an unrivalled range of creative possibilities whether you are a photography enthusiast, professional or video content creator.”

Sony will continue to evolve its lens line-up in order to meet the demands of all types of photographers, videographers and multi-media creators, with a range of different offerings to maximise the power of the innovative α camera line-up.

Realising consistently high resolution across the entire frame, even at F1.4, the FE 24mm F1.4 GM boasts a new optical design comprising 10 groups with 13 elements featuring two XA (extreme aspherical) elements and three ED (Extra-low Dispersion) elements. The incorporation of two XA elements effectively suppresses sagittal flare so that point light sources are accurately reproduced, making the FE 24mm F1.4 GM a compelling proposition for star-scape photographers. Sony’s unique Nano AR Coating is applied to reduce flare and ghosting for impressive clarity, even in landscape shots where the position of the sun is often problematic with a normal lens.

This industry leading performance has been packaged in an extremely compact and lightweight body weighing just 445g. For landscape photographers who often have to walk for long distances to get to the perfect shooting spot, this provides a welcome reduction in the weight that they have carry, an advantage that is further compounded when the FE 24mm F1.4 GM is paired with one of Sony’s award winning α7 / α9 bodies. This lightweight package has been realised in part by the development of a new high power DDSSM (Direct Drive SSM) which delivers approximately three times greater thrust than the previous DDSSM, enabling fast response, high positioning accuracy and quiet operation for both stills and movie shooting.

In addition to its landscape and stars-cape shooting abilities, the FE 24mm F1.4 GM also has excellent close up performance of 0.24 metres (0.79ft.) and delivers soft and natural bokeh. As a member of Sony’s flagship G Master series lenses, the new lens features an incredible level of image quality and bokeh. As bokeh quality is directly affected by spherical aberration and axial and lateral chromatic aberration that can also cause colour bleeding, all of these factors are painstakingly controlled at the design and manufacturing stages and each lens is individually tested and adjusted to achieve maximum image quality and bokeh.

Furthermore, the FE 24mm F1.4 GM includes a number of professional controls aiding ease of operation for both stills and movie shooting. An aperture ring allows direct, intuitive aperture control whilst an aperture click switch makes it possible to enable or disable click stops as required. The focus ring features Linear Response MF for fine, responsive manual focus control, giving the user the control immediacy needed for fast, accurate manual focusing. The focus hold button is customisable and a focus mode switch makes it possible to quickly select auto or manual focus to match changing shooting conditions.

Availability and pricing for the FE 24mm F1.4 GM will be confirmed shortly.

The post Sony Expands Full-frame Lens Line-Up appeared first on Shane the Gamer.

Announced earlier this year at CES, VR is done differently with the Mirage Solo VR headset and Mirage VR180 camera from Lenovo, allowing VR-curious crowds to consume and create content in an incredibly seamless way.

With a standalone build, the Mirage allow consumers to break free from wires, PCs or phones with the comfort and simplicity of the world’s first standalone Daydream headset. The device comes with WorldSense motion-tracking technology on Google Daydream’s virtual reality platform. Using WorldSense, users can lean, dodge or duck through space naturally as they move through a large library of magical, reality-defying content. Based on the Qualcomm Snapdragon 835 VR platform, the Lenovo Mirage Solo delivers high-quality, immersive experiences.

Users can make games even more lifelike with the wireless Daydream controller – baseball bat, steering wheel, or whatever fits your chosen app.

The Lenovo Mirage Camera will allow users to create their own VR content and then experience once-in-a-lifetime moments, on demand, with the Lenovo Mirage Camera with Daydream. This pocket-sized point-and-shoot camera simplifies the technology needed to capture 3D photos and videos with its dual 13 MP fisheye camera and its 180 x 180 degree field of view.

Together, the two devices bring the necessary tools so that anyone can make their own VR content – in an accessible and fun way. Photos and videos captured on the Lenovo Mirage Camera can be uploaded and viewed to your personal Google Photos and YouTube accounts. It comes equipped with the Qualcomm Connected Camera Platform which features high-quality dual cameras and built-in WiFi.

Watch that game-winning shot–as if you’re right there in the front row. Live-stream your wedding in 3D so everyone can be part of it. Experience the joy, with none of the stress. Introducing Mirage Solo, the world’s first stand-alone Daydream headset, and the Mirage Camera. Easily capture and share those once-in-a-lifetime moments, with a little more moment and a little less once-in-a-lifetime.

The post Lenovo Release Wireless Standalone Virtual Reality Headset & Camera appeared first on Shane the Gamer.

FUJIFILM NZ today adds two exceptional new lenses to its high-performance X-Mount FUJINON range and announces a further three lenses in development for future release.

Bringing with them an astrophotography and high-speed telephoto edge, the XF8-16mmF2.8 and XF200mmF2, designed for use with the X Series range of digital cameras, bring the total current lens lineup to 31 lenses. FUJIFILM NZ X Series specialist Craig Robertson says these new lenses cover an impressive array of focal lengths, enabling shooting opportunities from far away to close-up. “Our astrophotography buffs have been hanging out for the new XF8-16mmF2.8 as it’s perfect for shooting the stars. It’s also a fantastic option for landscape and architecture photography,” he says.

FUJINON XF1.4X Teleconverter (included in FUJINON XF200mmF2 kit)

The ultra wide-angle XF8-16mmF2.8 lens uses an impressive 20 elements in 13 groups resulting in advanced image-resolving performance across the zoom range while maintaining a constant maximum aperture of F2.8. The new XF200mmF2 is a super-fast telephoto lens perfect for sports and wildlife photography with a Focus Pre-set function that allows photographers to quickly capture the action by snapping between pre-set focus positions.

The XF200mmF2 will be available as a kit, paired with the brand new, high performance FUJINON XF1.4X teleconverter that extends the focal length of the lens by 1.4 times. The teleconverter allows the lens to cover a focal length equivalent to 427mm at F2.8. Challenging conditions are a breeze for both the XF8-16mmF2.8 and XF200mmF2 with the barrels sealed to make them resistant to dust, moisture and low temperatures down to -10 degrees Celsius.

FUJINON XF8-16mmF2.8

Continually adding to the versatility of the X Mount lens lineup is a key focal point for FUJIFILM, as it ensures its users are equipped for any and all photography situations.

The latest roadmap also announced globally today covers specifications of three new lenses currently in development, namely a wide-angle compact prime lens, a constant F4 zoom lens, and an Ultra-fast 33mmF1.0 prime lens.

FUJINON XF200mmF2 – shown on Fujifilm X-H1

The FUJINON XF200mmF2 has an indicative price of $9,999 and is due to land in New Zealand in late October 2018. The FUJINON XF8-16mmF2.8 is due late November 2018. Both lenses can be purchased from specialist photographic dealers nationwide.

The post Wildlife to the Stars is Covered w. FUJIFILM appeared first on Shane the Gamer.

Budding photographers seeking a step up from smartphone snaps are fixed thanks to FUJIFILM’s latest camera announced globally today.

The brand new fixed-lens XF10, available in New Zealand in August, is a premium, compact camera that packs a picture-quality punch. Including all of the hallmarks of FUJIFILM’s X Series mirrorless system, the XF10 combines simple manual operation with superior image quality and versatile shooting options.

The ultra lightweight and travel-friendly camera weighs in at only 280 grams and sports newly enhanced Bluetooth connectivity to automatically transfer images to a smartphone for social share.

FUJIFILM NZ X Series specialist Craig Robertson says to not let the mirrorless camera’s compact size fool you. “Despite its pocketable size and weight, the XF10’s high quality, fixed FUJINON lens covers a wide range of subjects from landscapes to food photography and flatlays – a perfect companion in our social media age,” says Robertson.

The XF10 is the first X Series mirrorless camera to feature the brand new Square Mode that allows users to switch seamlessly to a 1:1 format with a simple flick on the touchscreen. “Square images have become the standard format on social media networks such as Instagram. With
speedy syncing and Square Mode, professional-looking shots can be transferred and posted on social media in an instant,” says Robertson.

As a fixed-lens camera, eliminating the need to carry extra camera gear, the XF10 has a powerful 18.5mmF2.8 FUJINON lens (equivalent to 28mm on 35mm format) optimised to perfectly match the sensor and ensure images are sharp from centre to edge.

Packed with a 24.2 megapixel APS-C sized sensor and FUJIFILM’s world-renowned colour reproduction technology, the XF10 produces high quality, high resolution images destined for picture frames and worthy of “Insta fame”. In addition to FUJIFILM’s unique 11 film simulations, the XF10 has 19 advanced photography filters, including two brand new modes for photographers to easily add extra artistic flair to their photos.

The new Rich & Fine mode is perfect for food and tabletop flatlay photography. It results in brighter, more vivid colour at the centre and slight shadow at the corners to emphasise the subject.

The low down:
• Weighs only 280g
• First X Series camera to have updated automatic image transfer and new 1:1 format Square
Mode
• Combines a 24.2 megapixel APS-C with a precision, fixed 18.5mmF2.8 FUJINON lens
• Hosts the 11 famous FUJIFILM film simulation modes and 19 advanced filters (including the new
Rich & Fine and Monochrome [NIR] filters

The FUJIFILM XF10 is available from specialist photographic dealers nationwide from 1st of August 2018.

The post Superior sync & square format shooting w. FujiFilm appeared first on Shane the Gamer.